we're here to devour each other alive.

this is a self-serving catalogue of whatever catches my fancy.

doctor who, harry potter, parks and rec, bbc's sherlock, veronica mars, avatar the last airbender, dexter, battlestar galactica, always sunny, flight of the conchords, pushing daisies, miyazaki everything, quality movies & literature, feminism, some current events + general outrage, and miscellaneous fuckery.

likeafieldmouse ceedling

likeafieldmouse:

Michael Wolf - Tokyo Compression (2012)

Tokyo is world-famous for its urban density. Wolf’s candid series captures the daily grind, the exhaustion, discomfort, overcrowding and annoyance of city life.

danielodowd provocative-envy

hurtos lecollecteur

roseaposey:

"Judgments"I took this last year, but in retrospect, I think it’s my strongest piece from high school.
Working on this project really made me examine my own opinions, preconceptions and prejudices about “slutty” women and women who choose to cover all of their skin alike. I used to assume that all women who wore Hijabs were being oppressed, slut-shame, and look down on and judge any woman who didn’t express her sexuality in a way that I found appropriate.
I’d like to think I’m more open now.

roseaposey

roseaposey:

"Judgments"

I took this last year, but in retrospect, I think it’s my strongest piece from high school.

Working on this project really made me examine my own opinions, preconceptions and prejudices about “slutty” women and women who choose to cover all of their skin alike. I used to assume that all women who wore Hijabs were being oppressed, slut-shame, and look down on and judge any woman who didn’t express her sexuality in a way that found appropriate.

I’d like to think I’m more open now.

cocoapuffsmakemecoocoo blua

officialchildrenofthenow:

Children of the Now

dontdiewondering96 officialchildrenofthenow

officialchildrenofthenow:

Children of the Now

anateresabarboza.blogspot.com.es iamthecrime

anitaleocadia:

Ana Teresa Barboza


There was once a princess who saw a mermaid and fell in love. So she went to the woman they called a witch and asked to be turned into a sea creature. The witch granted her wish, but with one condition: she’d have to get the mermaid to love her back, or she would die the way sea creatures do, dissolving into seafoam.

katerayearth albabutter

There was once a princess who saw a mermaid and fell in love. So she went to the woman they called a witch and asked to be turned into a sea creature. The witch granted her wish, but with one condition: she’d have to get the mermaid to love her back, or she would die the way sea creatures do, dissolving into seafoam.

laurenmarek:

suicideblonde:

Sally Mann

Sally Mann is the mann.

dontpaniconline.com laurenmarek

laurenmarek:

suicideblonde:

Sally Mann

Sally Mann is the mann.

if-you-leave:

by jeff liu

if-you-leave

if-you-leave:

by jeff liu

paperplusfilm laurenmarek

paperplusfilm:

Photo credit & Copyright: Tadao Cern, Comfort Zone

enchantedsleeper:

Princess Tarakanova, Konstantin Flavitsky

enchantedsleeper gigglebangs

enchantedsleeper:

Princess Tarakanova, Konstantin Flavitsky


Two men dancing, Harlem, 1920s.
According to George Chauncey’s eponymous Gay New York, the Harlem Renaissance of the ’20s provided an opportunity for gay men to create their own social and cultural spaces within the burgeoning nightlife in the neighborhood. 

howpeoplelived thetopofthecity

Two men dancing, Harlem, 1920s.

According to George Chauncey’s eponymous Gay New York, the Harlem Renaissance of the ’20s provided an opportunity for gay men to create their own social and cultural spaces within the burgeoning nightlife in the neighborhood. 

dipthatpen:

Study for Lady Macbeth by Gustave Moreau, ca. 1851

dipthatpen caterinasforzas

dipthatpen:

Study for Lady Macbeth by Gustave Moreau, ca. 1851

eaedwards lecollecteur

eaedwards:

Laurie Anderson.  

Anderson photographed men who called to her or whistled her on the street.  In her artist statement she writes about one experience,

“As I walked along Houston Street with my fully automated Nikon.  I felt armed, ready. I passed a man who muttered ‘Wanna fuck?’  This was standard technique: the female passes and the male strikes at the last possible moment forcing the woman to backtrack if she should dare to object.  I wheeled around, furious. ‘Did you say that?’ He looked around surprised, then defiant ‘Yeah, so what the fuck if I did?’ I raised my Nikon, took aim began to focus.  His eyes darted back and forth, an undercover cop? CLICK.”

Anderson takes the power from her male pursuers, allowing them nothing more than the momentary fear that their depravity has just been captured in a picture.